We acknowledge the support of the Canada Council for the Arts My practice exists at the intersection of material history, human migration, and the shared rituals of counting. Currently based… Read more Transhumance: Counting Cows, Counting Beads – 2025 →
A large-scale art work utilizing beadwork, copper, painting, and epoxy resin on a wood panel. The work features beaded birds, a tree formed from antique copper embroidery plates, and a… Read more Neither Sow nor Reap, 2023 →
We acknowledge the support of the Canada Council for the Arts for making this project possible. Early in 2019 I was thinking about a new series of beaded works, which… Read more The Antiquarian’s House, 2020 →
In Over Our Heads, original designs are beaded onto bonnets, caps, and headpieces. When selecting objects to work with, 4 pieces of women’s headgear seemed to fit together somehow. My… Read more Over Our Heads, 2020 →
Performative work, Sacred Mountain of Oropa, Biella, Italy, 2018
ArtFarm Pilastro 2019 (June 28-30). In this project, a rustic niche in an outbuilding of a 17th century farmhouse in the low country of the Italian province of Verona was… Read more Little Chapel for the Other Than Human – Summer 2019 →
Over a year in the making, this is the most ambitious work I’ve ever taken on. It is a chronicle, of sorts, of my adaptation to my new home city… Read more Where the Wind Took Me →
In 2017, I started incorporating beading into sculptural works. The resulting series of fishes reflects my personal study of the Mediterranean Sea and Italian lace-making, combined with a long-standing interest… Read more The Feast of the Fishes →
Corinna Wollf 